The big 100 list – the talents you should follow

I have a list on Twitter. It was originally catered to the best of the best among seiyuu, as you will probably realise over the course of this. But now it has expanded well beyond just them, to encompass all manner of professions, to the point where it has reached its definitive milestone: 100 girls on it. So, to celebrate, I’m going to do my level best to sell them all to you. One of them will get you somehow, some way.

Mako Morino: Noted baseball lover who went on to voice a noted baseball-loving character in Yuki Himekawa. Her passion and energy in the real world matches that of her character. The first of a clutch of personalities here of the kind of vintage that CG’s greatest have now settled into.

Emiri Katou: A legend among seiyuu for having brought an array of captivating characters to life. Her remarkable vocal range and emotional depth allow her to seamlessly portray characters across various genres, from endearing heroines to enigmatic villains. She also has the luxury of voicing some of my very favourite characters of all, but make no mistake, no matter what you think of her characters, she remains a cherished presence in the industry.

Suzuko Mimori: Let it be known that we might have reached the most beautiful person on this list already. And she’s 37 years old. Suzuko Mimori has that unquantifiable golden ratio that adds up to what we call ‘it’. A timeless wonder, still going and doing her thing every now again in her biggest active role in Revue Starlight, and still putting out more than her fair share of singles, Mimo has thoroughly earnt the immense following she can call her own.

Yoshino Nanjo: Her old groupmate from mu’s has earnt her following too. But Yoshino Nanjo is pretty comfortable where she is now. Her glory days that included her star turn as fripside singer have passed now, but it can hardly be overstated how important and big a figure she was at the apex of her powers. She still chills on livestreams from time to time, as she happily whiles away her time on the love of her life, FF14. She’s earnt the right to do that, too.

Yuka Kuramochi: Technically more gamer than gravure idol these days, but she still likes to remind us every now and again. Her ability to effortlessly shift between these diverse realms showcases her versatility and multifaceted nature. Despite the evolution in her career – perhaps not least one forced by having a kid – Motchi continues to captivate audiences with her still rocking bod.

Eriko Matsui: A veteran of the Cygames sphere and a frequent presence among its franchises, Matsueri has established herself as a stalwart within the likes of iM@s and Uma Musume. Great voice, super cool on a live stage, she’s a seiyuu of the old-school style, yet still good in the classic sense of the profession.

Ruriko Aoki: Big-time gamer, and a big-time person. Literally. You don’t see many seiyuu breaking into the 170s in height. Husky of voice and sure of ability, Ruriko Aoki stands out as a solid operator. Her YouTube channel stands out as one of the most chilled-out of all, being a host to countless gaming streams of hers over the years which continue to this day.

Shizuku Honami: The cosplaying game is, unsurprisingly, exceptionally crowded. It takes special efforts to stand out among the many there, and my pick of the bunch is Shizuku Honami. Super cute outside of cosplay, gravure-quality shots to spare and notably someone with a twin sister to spice things up in her photo shoots, you’re hard pressed to find better than her.

Aya Hirano: A megastar who has been through the wringer and back out the other side of it again, few are likely to rival Aya Hirano’s history, and fewer still her profile at the peak of her career. A trailblazer in her day, for better or worse, she’s settled down into a safe haven of musicals now. Hardly an unusual path these days, even for current seiyuu.

Izumi Kitta: Literally my local seiyuu, in that she splits her time between London among other places. Another veteran of the game, Izu-sama has very much settled into enjoying the life she’s made for herself. Particularly worth a follow on Instagram for all the places she goes.

Haruka Yamazaki: There aren’t many whose dedication to her craft extends to role-playing your character in lives to as great an extent as possible. Haruka Yamazaki is one of those. Always fancy with her looks, her role as Million Live’s central character Mirai Kasuga sees her don her hairstyle at lives and quite literally look the part. And she’s definitely not shy of a further cosplay of anyone else, either. Hugely impressive and wholesome as a person.

Arisa Date: Unique among the rest of the names here for being a professional mahjong player. So that’s a reasonable chunk of fans cornered. She’s also been designated picture taker for a number of iM@s lives. Which, on a personal level, allowed me to witness their seiyuu first-hand and consequently influenced me into finding out more about them. Which resulted in a list such as this in the first place. So I’ve got her to thank for that.

Chiaki Takahashi: Seiyuu, singer, and gravure idol extraordinaire, even well into her 40s. With the fortune to be voicing someone as good as Azusa Miura, Chiaking has proven her ability to breathe life into diverse characters, captivating audiences with her remarkable voice acting skills. She’s done an awful lot over the years, up to and including being in seiyuu groups. Well ahead of the curve on the gravure side too, obviously. No seiyuu to this day may have touched her on that side, in fact.

Anri Sugihara: The OG gravure idol to end them all, simple as. So good was Anri Sugihara’s work in its day that it still stands up even now. In fact, even she can still stand up to the best of them now. She still rolls back the years on occasion to remind us all of just what she can do. A benchmark-setter of her time, so many have tried to match her, and so many have failed.

Noriko Shibasaki: Best known as the voice of one of the great onee-chans of our time, Chiyuki Kuwayama, Noriko stands out by being another sort who comes across quite unlike anyone else around. Soft looks coupled to an especially dazzling smile do the trick. Her first photobook was simply excellent, too.

Shiki Aoki: There’s absolutely no one here more distinctive than Shiki Aoki. And that goes way beyond a set of deep vocals. Indeed, Shiki openly identifies as a transgender man. That’s a huge deal given Japan is relatively behind the curve on attitudes towards it and means we have a relative one-of-a-kind on our hands here. Quality gaming and fashion content on a popular YouTube channel makes for a worthy seiyuu, even aside from the inspiration and authenticity that resonates with so many.

Mikoi Sasaki: The old guard in the best group YouTube channel among seiyuu, Team Y, Mikoi Sasaki is an alumni of such formative series as Milky Holmes. Her spot as the group’s oldest leans right into her highly mature vibe, and gives her just the appeal you’d want. Quite apart from her being another typically talented and versatile voice actress.

Pile: A legend at her peak who has taken her unqualified success as a seiyuu and singer and now pours it into the bars, clubs and restaurants of Roppongi (notwithstanding the occasional mu’s orchestra appearance). But in playing such a vital role in turning Maki Nishikino into perhaps the most beloved fictional idol ever seen, Pile has earnt her keeps.

Atsumi Tanezaki: Highly acclaimed to the point of being awarded recently for her work in the big-time role of Anya out of Spy x Family, earning her a well-deserved reputation as a standout performer in the industry. With her remarkable vocal range and emotive delivery, she brings depth and authenticity to every character she portrays. Yet despite her rise, she remains a more low-key figure relative to several other big names. That might suit some, though.

Haruna Momono: Some deserve better than what they get, and Haruna Momono is one of those. Mind you, at least she has one of the better halves of D4DJ by being in Rondo, and in voicing someone like Hiiro Yano. The character she plays matches up to who she is very well. The mature aesthetic between both of them is her strongest asset.

Miinyan (aka Rio): Amateur cosplayers and ‘online’ gravure idols can still be well worth your time, provided you find ones who mean well and don’t push their content too far. Of course, they can still be successful in their own little way, and Miinyan stands out as one of those. She hits the kind of marks and vibes that you don’t get from the pros (and, it must be noted, all for free). Especially if you like tights.

Naomi Majima: There are some gravure idols out there whose presence is such that you just can’t miss them. Naomi Majima is very much one of those. She dominates just about any scene she walks into, and comes packed with a body straight out of many’s dreams. Nobody ‘gets’ the appeal a gravure idol can carry off quite like she does, between things like her expressions in her photoshoots to the underlying flirtiness of it all. A hearty smile within it all completes the complete package.

Emi Kurita: The other way you can really stand out among your gravure idol peers is looking like no one else around. And that’s what Emi Kurita does. One of the softest-looking faces around, coupled to a popping bod, gives you the recipe for someone very special indeed. Just don’t look too closely at her AI pics, no matter how hard she’s pushing it. Can someone just show this girl Stable Diffusion?

Ru Ting: The voice of the one-time Cinderella Girl Syuko Shiomi. Damn good she is, too. She’s also half-Chinese, a noted figure in the oft-overlooked Tokyo 7th Sisters and in the unusual half-space of being criminally underrated for roles while still simultaneously having the clout to hang with some pretty big names.

Makoto Koichi: Somewhat of a late bloomer as it goes with seiyuu, it was landing a role in iM@s that launched Makoto Koichi into the sort of respectable career many in the profession would take. That she pulls off someone as boyish yet simultaneously youthful as Haru Yuuki speaks to a solid range all round.

Mai Fuchigami: Another talented voice actress of the old school, not that she looks it even as she turns 37 next month. Plenty of prominent characters to her name, having graced both Precure and iM@s. And her prominence in live performances got her to the point where a solo career became feasible.

Ami Maeshima: Remember how Ami Maeshima was gone? She’s now back. The outpouring of affection that met this news shows you just how good she was, and still should be. Though we await the product of her return as she continues getting back into the swing of things, her endearing personality remains fully intact. Some of the best of her first act is lost in the ether now, but her second act should be just as tantalising.

Carin Isobe: If anyone deigns to define Carin Isobe by her plastic surgery, let them be known they are wrong. She is a brilliant seiyuu. Sparky of voice and with beauty to spare, she’s earnt her rising profile. Plus she dropped one of the most drop-dead gorgeous gravure photobooks any seiyuu has ever done, and had the general fandom gasping at it. She can catch you so easy, and you should relish in it.

Sayaka Tomaru: We haven’t dwelt on a live actress yet, and Sayaka Tomaru is the first. She’s been quite involved in it actually, and remains so, and with it comes subsequent extended jobs as a result. Not least of which her comprehensive gravure work, in which she hits all the marks. And when new gravure comes out for her, it tends to come in droves. All the better.

Moe Toyota: The power of a good seiyuu unit can be seen in just how it has shaped Moe Toyota, first with the immensely popular Stylips and then carrying on with her partner-in-crime Miku Ito as Pyxis. While Mikku may take the plaudits as an undeniably attractive proposition, I reckon Moeshi is better. She has a notably more distinct look, her deeper voice will be right up many people’s street and her plentiful gravure over the years has always been straight out of the top drawer. And her impending PB might be the best yet.

Ayasa Ito: It’s hard to know where to start with all the different kinds of appeal Ayasa Ito channels. From her story of becoming a keyboard player entirely from scratch for Bandori, to the little imperfections in her personality that put her above even the relentlessly smoothed-out Aimi among her Team Y peers, to the assets that give her suitability for gravure, Ayasa has so much to unpack from her little body.

Teru Ikuta: And her long-running best mate isn’t half bad either. Teru Ikuta rocks one of the best boyish looks of them all, and such was her talent she even broke her way into the Idolmaster chain – after her breakout success in Revue! Those two roles, by themselves, have sustained one hell of a seiyuu. Impressive stuff.

Mariko Nagai: If nothing else, those behind the constant search for Idolmaster’s seiyuu know how to pick someone to match a character in likeness. Mariko Nagai is a strong example of that with her character, Juri Saijo. This despite flaws in her looks that she has, to her eternal credit, embraced. They don’t make her look any less sweet. Also a noted GT-R fan.

Nozomi Yamamoto: There’s a vibe to Nozomi Yamamoto that you just don’t get with others around here. Think the vibes of the family member who goes along with the kids in a gathering even when they’re at risk of embarrassing you. Perhaps that’s why she’s leant herself so well to accompanying the constant stream of newbies Cinderella Girls has. She’s a wonderful personality.

Mea Shimotsuki: Another gamer in the mould of Yuka Kuramochi, to the point where they often collaborate together. But Mea’s quite different when it comes to her gravure, or at least the vibe of it. Indeed, her gal image might be something of a throwback in the modern age but she spices it up with a more modern vibe nicely. Oh, and she is a proper cosplayer extraordinaire. Couple that to a brakes-off demeanour and you have yourself a real little devil.

Saki Yamakita: Iris’ oldest member, and therefore a fitting talent to be its leader. That maturity carries itself over to her vibe within the group, as its most sisterly member, yet she is more than capable of joining in with the chaos her members can generate, and indeed even channelling it such that she becomes its prime dealer.

Himika Akaneya: Iris’s center, and unquestionably its biggest livewire. This quality has granted her quite possibly the single greatest YouTube channel of any seiyuu in history. Behind this though is one serious style icon, who has been through tons of good looks and who can pull off countless different vibes like no other. This is quite something to say of someone who fronts a series as prominent as Pripara, but she may be as underrated a seiyuu as there is out there.

Yuki Wakai: The affectionate term bandied around for someone this short is often ‘gremlin’, but have you ever seen a gremlin as sweet as this? Yuki Wakai fits the mould very well, mind. What with that scrunched-up face she does and all. But within her is one of the most immense voices of all here, enough to best everyone else here in a karaoke contest, I reckon. A low-key sweetheart.

Yu Serizawa: No one’s appeal is quite as versatile in Iris as Seriko’s. Perhaps this comes from some of the contradictions of those appeals, like her height contrasting with her high voice and her managing to come across as super cute and yet as onee-chanly as any seiyuu yet seen. She’s covered every piece of the jigsaw that these talents go for, and has been notably excellent in all of them. Simply superb.

Miyu Kubota: Yet it’s Miyutan who has turned into Iris’ biggest name, and not unreasonably. She carries the broadest appeal, the sort that landed her a spot in Love Live as its most mature character of all. Right up there in the absolute beauty stakes, the fact that she balances herself between level-headed and chaotic only helps her case.

Momoyo Koyama: There’s plenty to commend with Moyo, between one of the wider smiles among seiyuu, a warm, wide pair of eyes, a soothing voice and her proud place as a member of Soundorion. Has one good PB to her name, and deserves more credit for someone who is the face of a series as successful as Revue Starlight.

Tsunko: A wild child of a talent, with wilder looks, who has tried just about everything over the sun. In the end, the talents of Tsunko’s have stuck have been her cosplaying, plus her DJing, which got her a spot on D4DJ, and among the talents in that series she is clearly its biggest exponent of gravure. She even held her own within the all-conquering PPE agency until not so long ago. Another one of those who you simply can’t take your eyes off.

Yuri Noguchi: Voice actor of the notably thick-chested Shizuku Oikawa and the notably thick-thighed Reisalin Stout, it seems as though Yuri Noguchi doesn’t do small roles. Yet she routinely goes under the radar as seiyuu goes these days, though not so much that she isn’t present in Uma Musume either. But there’s plenty to enjoy with her if you go looking for it.

Lynn: Now for someone a little different. Specifically, a half-American. Wide eyes like Lynn’s are always going to, well, catch the eye, and hers are no exception. Couple that to the star turn she gained from being one of the most invested of the many seiyuu in Uma Musume, plus one high quality photobook, and you have a typically classy modern-day talent…who just happens to be a little atypical, too.

Natsumi Hirajima: You’ll notice a conspicuous absence from this list: any idols from a big-name group. That’s usually because there’s altogether too many of them. The girls those groups leave behind can be interesting, though. Not least ex-AKB member Natsumi Hirajima, who goes beyond the popping bod she has often flaunted in her role as Rika Seto of D4DJ by having a vested interest in motorbikes, to add appeal to those who might otherwise see her as just another one of ‘those’.

Nashiko Momotsuki: A Swiss Army knife of a talent, Nashiko shines in so many aspects and respects. She’s much celebrated for her tokusatsu work, her frequent hosting of shows – some of which lean into her gloriously deep interest in Pokemon – and, of course, her simply first-class gravure, which serves as a benchmark for just about every ‘mature’ approach to photoshoots. Everything about her is just right.

Hinata Sato: It’s hard to know where to start with someone whose talent has stretched her into as many series as Hinata Sato has got into. From her supreme voice, to her undoubted skill on stage, to her plenty hilarious personality, to her very much distinct looks, there’s something for everyone to love in Hiichan. Still only 25, she feels like having been around for ages – because, of course, she has. She started early, after all. Which no doubt helps explain the abundant talent within.

Ayaka Ohashi: Her breakout character, when asking her greatest quality, was told “her smile”. If life imitates art, Ayaka Ohashi might do it better than anyone else. For all the tangible and obvious appeals some can hold, sometimes it’s the intangible you can’t explain and spend your life trying to explain that matter. For Hasshi, it’s simple: an undeniable case of ‘infectious happiness’. Sweetness personified.

Ayano Sumida: Talking of mature gravure idols, few carry off the air of it better than Ayano Sumida. Her classically beautiful look shows the positives behind a simple and basic approach like hers. No frills, no spills, just natural allure. She’s as close to the aforementioned Anri Sugihara as anyone can come these days, and praise can hardly come higher than that.

Yasuyo Saito: Another case of ‘infectious happiness’ lies within here, and sure enough Yasuyo Saito’s mile-wide smile would probably be enough to win her many fans by itself. The fact it’s also attached to a glorious body with legs long enough to put anyone else’s to shame borders on overkill. She’s only really started ramping her activity up lately this year, but next year… Every other gravure idol around had better watch out.

Enako: For all the relative avoidance I try to feign of the most mainstream talents, sometimes you just can’t ignore those at the top of the pile. Enako is surely the creme de la creme of her corner of the industry, plastering magazines on a near-weekly basis and still churning out a limitless supply of cosplays. She carries all the graces of someone who knows she’s at the top of the game, and quite frankly, the millions upon millions of followers she has aren’t wrong in the slightest.

Yura Yura: Boil the essence of an idol down to their constituent parts and you would probably end up with someone like Yura Yura. Sweetness on top, naughtiness underneath that lends itself to gravure perfectly, a slight air of mystery about some of her personality that adds a bit of extra spice, and – from innumerable sources – the level of possessiveness all idols love to carry off. And as a bonus, an undeniable love of Kuromi. If you need a gateway to idols in general, you’d be hard-pressed to find better than Yura.

Azusa Tadokoro: There’s so much to love behind the shy, unassuming yet sweet exterior of Azusa Tadokoro. Not least of which is her deep and powerful voice, which has resulted in some of the best solo songs among all seiyuu. Her more timid personality always gets put into situations that bring great hilarity, too. It helps that she voices some top, top characters as well. Her three from the big series she features in – Milllion Live, Bang Dream and Uma Musume – all feature among my very favourites from them.

Haruka Chisuga: A somewhat mystical figure, in that despite not earning great popularity herself, she has oftentimes rubbed shoulders with some of the best of the best. Perhaps that’s why her talents are often sold short. She’s got a voice with plenty of gravitas and has for a long time carried the classic short-haired charm that defines so many with that style.

Jun Amaki: Another fixture of the mainstream, and it’s not hard to see why. Jun Amaki’s look is perhaps the definitive standard for the conventional Japanese look, and it’s testament to how good it is that you can notice it over her clear and obvious assets. She knows what she’s got – and some. Almost no one leans into them harder than she does. Such is her stature in gravure circles that she may have played more than a hand in influencing her former colleague and friend from her idol days…

Kisumi Amau: Every idol has their stories to tell. But Kisumi Amau’s one is unique. The way she’s been going for over a decade, fighting through physical and mental ailments all the way (and to this day) is testament to the sheer talent that has seen her become possibly the single most popular chika idol today. Her devilish wit and charms will make you come, but the candid and frank personality within will make you stay.

Rikako Aida: There’s always room for one genuine beaut in a Love Live group. For Mimo and mu’s, read Rikako Aida and Aqours. She has routinely been capable of dropping jaws all round with her looks – and sometimes with her actions as well, to be honest. And the great thing is, she’s gotten herself back in the gravure game. Many from Love Live are trying their hand at it, but Rikako leaves most of them far, far behind.

Komari Nakamoto: Idol groups are hardly short of their infectious smiles, but Komari Nakamoto’s spreads easier than most. Her look is hardly a million miles away from some others – even in totally different industries – but it’s just so good. A young rising idol par excellence, more success together with the rest of her superb group Mooove! is surely only just around the corner.

Hazuki Tanda: If an idol escaped and made it as a seiyuu instead, this is about what you’d get. Hazuki Tanda might not look as dissimilar as she seems, but she knows how to get the crowds purring. All this while keeping her teasing within the kind of limits that some people prefer to stay within. I can totally see the appeal.

Maki Kawase: A super cool seiyuu, with the exact sort of personality you’d expect from such a figure and, most importantly, with a voice packing serious gravitas behind it. It’s quite a surprise it took so long for Maki Kawase to come on the map, to be honest, and even now she remains somewhat unsung.

Sayaka Kitahara: Could this be an inclination towards a character swaying things too much here? In this case, no. Sayaka Kitahara really can do the business as Mei Izumi live, as part of the wild ride that is Straylight. They are a real see-it-to-believe-it case. In another success story for iM@s matching up its seiyuu to its character, Sayaka also stands out by packing a surprising amount of beauty to her, in the kind of way you might struggle to resist if you’re in the mood.

Azumi Waki: Now we’re talking about a seiyuu who has really made it into the big leagues. Azumi Waki is what you get when you simply put in hard, and constant work. She has to her name some exceptional roles, capping it off with her place as the center of the all-conquering Uma Musume. Chill and calm as a personality, she’s a blueprint for many others to follow.

Liyuu: Sweetness and innocence can be quite an intangible factor, and so it is with Liyuu. But she has both in huge spades. It’s this which has leant her so well to Love Live, and the live stage, quite apart from the cosplaying with which she made her name. Add to this quite possibly the best solo work of any seiyuu when it comes to music, and you have a true modern classic among her peers.

Arisa Komiya: I’m listing many different seiyuu here, but for sheer levels of attraction few can rival Arisa Komiya. Packing one of the most diverse bodies of work – between tokusatsu work, a spot in a group as prominent as Aqours, DJing and some simply excellent gravure shoots – Arisha goes well above and beyond the seiyuu norm. Even without her distinctive and enticing look, that’s enough to sell her by itself.

Ralumu Fujikawa: No one can ruffle feathers quite like Ralumu Fujikawa, in more ways than one. Her thoroughly unique looks, coupled to her extraordinarily leggy frame, are one thing. The way she uses them to go against the grain on Japan’s social matters is quite another. And she’s not afraid to fight back on them. There’s rarely a dull moment when she pops up. If you go and follow her, strap yourselves in for some chaos.

Machico: Definitely one of the most colourful among seiyuu, both character and appearance-wise, Machico is for the style-conscious ones. But that’s not to dismiss her vocal talents, not least in her breakout role as Tsubasa Ibuki which remains still her finest. Her live performances as her remain spectacular, and as a central figure for Uma Musume she continues to prove that point further still.

Maaya Uchida: Quite simply an elite talent. Maaya Uchida’s roll call of roles, earnt by her immense range and devastatingly powerful vocals, puts just about all others here to shame. So much so that her solo singles have brought her genuine mainstream success. There’s even some unqualified successes in gravure in there if you look back far enough. She has done the lot. 

Aya Suzaki: For those who might find themselves lost in the echo of the huge fandoms the big names build, but still want a seiyuu with plenty of street cred, Aya Suzaki is a happy compromise. She’s landed more than her fair share of great roles over her long and illustrious career, and with her most chaotic days behind her she now serves as a very cosy presence among the great and the good of her peers.

Meruda Ikeda: Right now, the best ex-idol going. Focus not on how Meruda Ikeda was left hanging relative to her – admittedly excellent – fellow Babababambi members. Worry not about the stigma behind being a hafuu – Indonesian in this case – which she has spoken of before as going against her. Someone out there should recognise her unquestionably vivid personality and her simply superb looks, and get her to where she ought to be.

Naomi Payton: Another half-American, and one who went from hopeful young idol to all-new Love Live actress with one audition. No small jump, yet Naomi Payton handled it to perfection. Taking on board the overbearing character of Sumire Heanna, she pulled it off wonderfully. A charmer with all the energy to match, and who is taking her style to interesting places outside of Liella.

Sumire Uesaka: For sheer, raw talent and appeal, Sumire Uesaka might just be untouchable. In the elite cadre of vocalists, she has quite simply done it all. All kinds of music, the sort that runs through her frankly quite unhinged head. And no one can lure in fans quite like she can. Perhaps the most universally admired of all the true mega-stars.

Nichika Omori: An occasional presence among some pretty big names, just quietly going about her business in the background. But you shouldn’t sleep on Nichika Omori. For someone whose look is almost permanently on shuffle, she rarely ever misses on looking good. And she is in some quality series as well, enough to whet the appetite.

Hikaru Tono: I haven’t really talked about big-time dancing ability with anyone here, but I feel it really does need stressing with Hikaru Tono. For Bushiroad’s many flaws, they know how to find specialists like Tonopii. Some of the dance clips she was putting up in response to her growing following have to be seen to be believed. No wonder she attracted attention from further afield, including the all-powerful Uma Musume.

Yurika Kubo: Another seasoned veteran of the mu’s era for Love Live – and one who is still going strong, relative to her peers. Shikaco has always stood out as perhaps the cutest of them, both in appearance and voice, and as one of the members of the group who partook in gravure historically hers can reasonably be considered the best. Plenty to ponder with her, then.

Hina Suguta: A rising star, not least by falling into a big role that attracted considerable attention at the time in Marin. It was also an award-winning performance for her, in the event. But her role in Bang Dream, coupled with her sweet and dreamy smile, meant she was already a known quantity to those who’d seen her before. Her steady rise since is just reward for her efforts.

Otono Sakurai: This is not your cookie-cutter gravure idol. Well, aside from the body, but you could have guessed that going in. No, what gives Otono Sakurai such appeal is the demeanour she carries is a breath of fresh air to the gravure standard. And the great thing is she’s developing all the time, trying new expressions to add to her already incredible repertoire. A rising prospect you should catch some day, and already one of the coolest gravure idols around.

Iori Io: There’s nothing so unusual about Iori Io, though, quite apart from the sheer level of swagger she carries about her. Sharp eyes like hers make her gravure routinely something fierce and give her an energy that belies her frame. She leans into in fully every single time and makes her the tallest-looking person ever to be short. Deeply impressive.

Umi Shinonome: If you’re gonna go for someone mainstream, this is the pick of the lot. With a body that looks and seems almost heaven-sent, Umi Shinonome is gonna get you looking one day. She rocks glasses like no one else and comes with the aura of sheer confidence that a person with her assets warrants. She even comes packed with a suitably geeky interest in the form of Gundams, in case some people needed more attracting to her. There’s always room for others’ tastes as their favourites, but few would deny that Umi is one of, if not the, outright best.

Minami Natsu: You probably know Asobisystem and, by extension, their idol agency Kawaiilab through Fruits Zipper, who made it big time with their Tiktok hit わたしの一番かわいいところ. But for a calmer experience, their newer group Candy Tune is where it’s at. And they also have an idol with some standout looks in Minami Natsu. Wide-eyed looks are ten-a-penny in idoldom, but when they’re this wide, you just have to sit up and take notice. When you can pull it off, so much the better.

Yui Otoi: Here was the best ex-idol going for a moment…but not for long. Yui Otoi was much too good to stay out of the game for too long, being cute as a button with the added bonus of being bilingual, and in joining  the same Kawaiilab agency as the above-mentioned Minami after her graduation from notall earlier in the year, her future prospects laid clear, Sure enough, she’s in the all new SWEET STEADY group, meaning she shall once again shine as brightly as she always has done among idols.

Shu Uchida: From out of the depths of Australia has come one of the most glamorous performers going today. Shu Uchida stands as simply a very wholesome presence to have around, and the effort she goes to in accommodating her considerable overseas fanbase outdoes just about everyone else. Truly a worthy little superstar.

Akari Kito: Perhaps the defining talent of her era, Akari Kito has hit absolutely every mark that matters. Her voice is truly something special, standing out from a competitive crowd. The result? An embarrassment of riches when it comes to roles, prominent or otherwise. An elite cadre of series she can cite on her roll call, among them some of the most celebrated characters of all time. The love for her from all corners is genuine, and totally deserved.

Mico, the aunt: I’d never admit to being a fitness freak, but I have space for those who are here. Especially if if helps them look good well into their 40s. Sure enough, Mico, trainer at a seriously popular fitness club in Kyoto, proves the benefits of this by having as good a body as she does.

Kyoka, the niece: But for the youthful ones, you’ve also got her niece, Kyoka Yamashita. She’s more tilted towards her entire legs, and how. As she reminds you every day of the week, they are immense from pretty much any angle she cares to shoot them at. Add her too to the counter of those who look like no one else I’ve seen. 

Karin Yukino: When you first see Karin’s age, you’ll think “Is that a typo?” No, it is not. Behold the youngest-looking 35-year-old you’ll ever see. If you catch her on a stream, she’s the youngest-sounding 35-year-old you’ll ever hear, too. Not that this diminishes how beautiful she really is, of course. For what it’s worth, she’s the only one whose age we know in her own group. She’s not afraid to admit it, and nor should she be.

Yuzuki Watase: Cute and round, talented and still young, worthy of more opportunities, yet being within the Bushiroad sphere they’ll be hard to come by. But she is getting more to think about, being a part of Ave Mujica now on top of her excellent role in Lyrical Lily, where her cuteness makes her its most fitting member of all. Ought to be recognised by other series out there.

Kotoko Sasaki: I talked about mainstream group’s biggest contributions being those it leaves behind, and here’s another case for that viewpoint. Kotoko Sasaki came out of Nogizaka and into Love Live for its Hasunosora project, and is proving to be the best of a rapidly rising bunch. An elegant and powerful figure, complimenting her groupmates, she’s great to behold live. Finally, her Twitter feed is most ideal for cat lovers, because she eats one good meal of food every day. It is delicious.

Nako Misaki: For someone who her groupmates in Liella have forever classified as the most motherly, Nako can also prove to be the most emotional from time to time. She might have more determination than any other in Liella, and can measure up to the rest of them on sheer cuteness and humour. Another simply essential piece of what started out as, and still is, one of the most magical puzzles.

Nakane Nanoka: There’s always room for someone who just has a little bit of everything, and Nakane Nanoka is worthy of being that girl. Lovely, conventional looks, allied to another infectious smile, topped off with a beautiful, natural chest gives her more than enough appeal for most. One who goes under the radar often, and unreasonably so. She’s well worth a look.

Nagisa Aoyama: When Mimo packs it in sooner or later – and it might not be too far away – Nagisa Aoyama is picking up her mantle as the fairest, most beautiful of them all. I don’t say this out of sheer personal belief, either. Whisper her name to those around and watch the words of admiration tumble out. Possibly in the wrong order, so captivating is Nagi’s natural charm. And now her big-time photobook’s come out…hoo boy, can you see just what a sight to behold she is.

Sayuri Date: From one simple audition to super-stardom, Sayuri Date’s rise from such a young age has been glorious. Within this pint-sized powerhouse packs one of the most magnificent voices we have yet seen. There’s something almost chuckle-worthy in how she has to hold it back sometimes. Expressive and seamless looks complete the picture. Much beloved, and for so many good reasons. 

Hana Okamoto: I talked about Yasuyo Saito earlier, but I haven’t touched on her running mate yet, Hana Okamoto. Improbably, she’s even taller (just about). But her outward appearance is a more classically appealing look, simple, soft sweetness allied to a genuinely top-notch body. If you fall for Hana, you will fall for her hard.

Konan Koyoi: Am I slightly ashamed having an AV actress on this? Yes. Do I care really? No. So here’s Konan Koyoi. You can tell she’s taking more than a fair share of influence from one of the industry’s former crown jewels in Yua Mikami, but Konan has her beat. Will the void be filled? Across AV, there’s a lot of potential going around for that to happen. Konan ought to do it.

Blamagi Tanaka: One more fitness freak for you. This one, though, is more akin to the sorts you find at the oft-celebrated muscle girl cafes. Blamagi’s got enough about her all round though to make her well worth your while. Just make sure you find the rest of her appeal over those thighs of hers. They’re quite a sight.

Aya Emori: Liella is stacked with talent, but this is its biggest rising star of all. The scale of Aya Emori’s improvement in the back end of this year has been astonishing, growing into a look that has a little bit of everything, and she’s now delving into the photobook stakes too, and dipping straight into the saucy end as well. Yet another staggeringly brilliant find from this group, one who is only set to make them even more elite.

Yuria Sato: Quite possibly the best seiyuu you have never heard of. As a key exponent of one of Revue’s lone bright spots these days, even among such lovely talents as Hina Aoki, Kanon Matsuzawa, Ruka Fukagawa and Kokoro Kuge, Yuria Sato is the pick of the series’ newest members, on grounds of the sheer combination of sweetness and beauty. Deserves a proper break-out somewhere, some day.

Minami Tsuda: Funnily enough for someone often known to voice huskier girls, Minami Tsuda’s best roles are probably more regularly-pitched ones. That speaks to a great range for someone who’s thrived off it for years and years. One of the bigger success stories from the CG wave, yet still perhaps one of the less heralded ones.

Ranran Fujii: Oh no, it’s another AV actress. One who gives a real insight into the degrees of popularity in the industry. Ranran feels reasonably low down her agency’s pecking order, for all her considerable proportions, yet still has follower counts that would make many talents here blanch. Is she gonna be up your street too in this respect? …Only you can decide.

Moe Nishimura: There are chika idols, and then there are chika idols. And when starting from the bottom of the barrel, it isn’t like shooting fish in that barrel. Instead, you have to fish way outside it. God knows what possessed Moe Nishimura to fish for me. But she did. She actually liked some tweets of mine, and I feel obliged to reward her for her fishing expedition. Here you go, Moe. Have my interest, for a bit. 

Mayuka Rami: There was no such inauthenticity for this one, though. She only started doing photoshoots a couple of months ago, but Mayuka Rami has just…got something. No one identifies a photogenic quite like 01familia, and even with a number of trainees coming on song – and joining their idol groups – the fact Mayuka caught my notice so early on can only be a good thing. Helps that, just like who we started with, she’s a baseball lover (and Swallows fan). Could she be the find of this year? Ask me this time next year.

Are some seiyuu horny deep down?

I’m ashamed to admit I’ve genuinely had a post with this title sitting as a draft. How long for? You don’t want to know. I might have posted here about some of them undergoing the kind of casual fishing that you need a bit of underlying naughtiness to really go through with, a point which has in fact become more pertinent as their photobooks edge closer to full-on gravure as the competition for the world’s eyeballs becomes ever more fierce. I would have talked about how the mask of innocence occasionally slips and you see in the public eye actual notifications for genuinely lewd things. But what it took for me to finally answer the question was one single tweet, one which left me in no doubt of the answer. Indeed, it meant that I could sum up the very title of “Are some seiyuu horny deep down?” in one simple word:

Yes.

Psychoanalysing how gravure idols get to you – Musings #16

I’ve been up to a lot since I last checked in with all of you. Not least two whole trips to Japan (among other countries) in which many events have been attended. 

That’s included seeing one oshi twice, seeing another oshi twice, seeing an all-time great seiyuu in Korea, and seeing my first idol oshi graduate. Not to mention meeting all manner of others out there and getting involved in various other interests of mine. Idolmaster was cool, Bandori was fine (VTuber Kasumi section excepted), taking in my first fes-style live was a nice wild ride, Hashtag Night was highly enjoyable with some nice surprises along the way, Mimo was excellent, and so was Oyui. Even with the unsurprising hour-long line to talk to her at the graduation live. That wasn’t the longest line I stood in, by the way.

Oh yes, and I do indeed have a ticket to Ijigen. I rolled for both days and won a ticket to the sacred Day 2 on the first lottery. As it’s turned out, the hard part of this is getting a travel plan in place that actually gets me there. So far, what’s happened to my plans is:

  • Had British Airways decide they didn’t want to run the flight I initially had booked, on the very specific day I had to fly with it. At least they had the courtesy to give me 3 months advance warning.
  • Having refunded the four-figure sum I paid for that initially ideal plan, I proceeded to serve BA right by booking a plan which – despite booking an overnight stopover at an airport hotel – came in at less than the initial plan. Only trouble is, the flight out was late on Friday 8th.
  • So what should happen but my workplace’s Christmas party get scheduled for…Friday 8th. No refunding my plan this time: I was forced to change the outgoing flight to a Saturday early-morning one, and book a hotel nearby the place where the party in question was held. Because getting to Heathrow from my house is a ball-ache normally, never mind at the time you’d need to actually get to Terminal 4 in good time for a 6:30am flight. After a party which is scheduled to end at midnight. And with me having been up since 5am so I could get to work in the first place. And I won’t even get any air miles for my trouble.

Still, all that will be worth it to see my top 5 seiyuu in action. Well, apart from the fact that one of those top 5 has been replaced by a returning seiyuu. You’ll know who it is probably solely based off the fact she is now in my top 5. And the fact she’s scheduled to do her first real activity in precisely three days time. But never mind. At least I’m flying with an airline known for its time-keeping reliability.

…Oh.

If there’s any time I go over again soon, it’ll be February. That’s when Cinderella Girls has a live in Yamagata featuring none other than Dea Aurora, a must-see for me given a) my Secret Daybreak experience and b) my two favourite characters together. It also coincides with Arisa Komiya’s birthday event and a Liella live in Tokyo the following weekend. Mind you, by all accounts, it’ll be impossible to win a ticket for it with the lottery I chose to bid on. The gloating if those accounts are proven wrong shall be real.

Even if I don’t win it, though, there is a sense within that I might need something of a break from east Asia, bearing in mind I’ll have been not just to Japan four times, but South Korea and Vietnam as well. But how do I keep the void filled if I don’t go there? Again, it means I’ve been looking to evolve my current interests from where they are now, branching out a bit further from what I know and love, and I think I have the answer. Gravure idols.

NSFW coming from here, if you couldn’t have guessed.

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The live to end all lives… But can I make it there? – Musings #15

Remember how I told you I was targeting visiting a Liella live in September? I was reckoning without CG announcing a live happening on the very same weekend in Nagoya.

I was only going to be able to do the Saturday, as I had the 6 Hours of Fuji bookmarked for the Sunday. So bookmarked that I have my ticket for it waiting on the other side at my local Lawson (that’d be Haneda Terminal 3). Luckily, Hasshi chose the Saturday to be available. And who else is available but Iidashi, aka Kanade Hayami, aka my favourite character ever. So, sorry Liyuu, sorry Nagi. There’s no way I was passing that up. And I’ve seen you three times this year already. I’ll make it up to you…possibly. More on that in a bit.

My ticket is bought and paid for, thanks to my new idol interests expanding my conbini cartel a little bit further. All I have to do is a) leave my luggage at the hotel, because I more than likely can’t check in before having to go to Nagoya, b) get to Nagoya, c) get the last Shinkansen (or earlier) back to Tokyo and d) actually check in to get probably less than 5 hours of shut-eye before I have to head to Fuji. How hard can it be?

At least I’ll have a good week or so to come down from the inevitable high of finally, finally seeing the one person who started this all in the flesh. Unless my (gravure) idol oshis arrange something midweek in the meantime. Which they probably will. Or unless there’s an important birthday like there was last time I went to Japan.

Oh. In the event, there’s nothing concrete event-wise arranged for her birthday itself. Aside from the release of her PB. Which…

Raise the alarm. She’s showing some skin. Still, I’ll be in the right place to pick it up right away.

If nothing’s arranged later in the week, I’ve been tossing up the possibility of a short trip to a different bit of the Far East. I’m thinking Seoul for this one… But I have to be back on Sunday, for another race, this one a Super GT race – yet another bucket list activity ticked off – in Sugo. My ticket for that one’s sitting and waiting to be picked up too from my local 7-Eleven (that’d be Haneda Terminal 3. Again). There’s a lot of options open. But they might soon become closed.

And then I get to do it all over again in November, when I definitely will be seeing my idol oshi(s), and then Hasshi all over again in Popipa getup. In between then, I might consider another trip out. The other place I’ve been eyeing up is Vietnam. One day in each of Saigon, Da Nang and Hanoi. If I can take low-cost carriers, I can do it for surprisingly little money. And of course I’ll still have a free weekend to play with afterwards (pending events cropping up, and the Motegi Super GT finale on November 5 looks very tempting). And I’m supposed to have at least one day after that… Then came an announcement on Friday.

If I hadn’t seen it, I wouldn’t have believed it. A full-on, official, Love Live x iM@s collab live is happening. And this is no small matter. Because, for the occasion, they’ve hired out The Big One. They are doing this at the Tokyo Dome.

The scale beggars belief. Every one of their franchises, sans the oldest in 765Pro and mu’s, are showing up. That means every modern Love Live seiyuu. And a whole clutch from iM@s across the two days, with entirely different casts for both days. No one knows quite what to expect otherwise, except chaos. As an unapologetic fan of both, this is the dream for me.

But there’s a problem. First of all, the holidays I’ve already taken, on top of the two aforementioned ones, have taken out all my annual leave. Fortunately, I can reschedule my return flight in November, take leave out of that holiday and move it over to the December this is happening in. Except my workplace will be in the midst of a project so massive they have actively blocked us from taking leave in the week leading up to this live. What that means is attending day 1 will be impossible. Unless I get a new job in the meantime. Which may not be beyond the realms of possibility, to be fair.

Fortune has shone down on me in this respect, though, as once again the very day Hasshi is attending is indeed day 2. The kicker is that Iidashi is doing day 1 instead, so no Kanade for me that time. Indeed, Lipps is down to attend day 1, sans Mika. The fact Ruru’s missing makes me slightly less sad about missing out on that, with her being one of my other favourites (along with Minami, whose seiyuu won’t be here either).

It’s not like I can do a whole lot on the character side of things. But then it’s not the characters I’m seeing here, it’s only the seiyuu. If I were taking the top 5 sexiest characters, it would be, in no particular order: Kanade, Minami, Mika, Mei and Chiyuki. Unless you add in the Love Live girls as well. In which case Eli and Maki could get in there. You could argue the case for Dia and, to a certain extent, Riko as well, but a) I’m probably just equating that to their seiyuu and b) my pride couldn’t take admitting an Aqours girl in there. Ultimately, only Mei’s seiyuu, Sayaka Kitahara, is gonna be there on the day.

But what makes me not regret it at all is the fact that, thanks to Love Live’s presence, I am faced with the prospect of seeing my top five seiyuu, all at once, at the same live. That, more than anything, has pushed me to go for this. Even on a weekender so preposterous I’ll spend about 26 hours on the ground in Tokyo and over 28 hours in the air. But if there were any event I would pull a weekender for, it is this one. Still, at least the non-stop flight I need is surprisingly cheap, relatively speaking…for now.

Of course, I still have to actually get the ticket. Which is where the biggest issue of all lies. I’m not gonna be alone in chasing a spot for this. Tokyo Dome is quite a big place, so it might not be as big a sweat as it seems. But, to be frank, if I don’t get the day 2 ticket I’m looking for, I’m not gonna bust my balls to get one otherwise. The whole idea of going is so off the cuff for me that I’m willing to take it like a man and leave it be if I don’t win. Unless, that is, someone very kindly offers me one. Then I’d be tempted. My top five seiyuu… How much would I really give to see them all at once, I wonder.

Let me break them down again, if I must. I’ve spent a lot of time these past few years doing so, but again, I must stress the importance of such a possibility to you. There’s Ayaka Ohashi, the very person who willed me to start out with any of this and motivated me such that I could patiently wait 3 years for the opportunity. There’s Nagisa Aoyama, who spearheaded my move to get back into Love Live and her running mate Liyuu, who validated it and opened my eyes to the joys of the best of the work done by voice actresses outside their voice acting. That has helped Rikako Aida emerge in a similar manner, and though she’s only just clinging onto oshi status there is nobody I can see who will take her out of the top 5. There’s certainly no one overhauling her partner in crime Arisa Komiya though, because… Hoo boy, we need to talk about Arisa Komiya for a bit.

As you can probably tell, she has done more than her fair share of gravure. And what a share of gravure it is. Her frame is right in the sweet spot of height for this sort of thing, she’s got the vibe for it and, most importantly, she has a face that looks like no one else around. (Or does it? Hold that thought.) That, more than anything, might help her case most of all. Too many idols, both gravure and not, are ultimately let down by their looks not bringing enough to the table. Not to say they look bad, merely they don’t look good enough. A good body can come from anywhere. It takes something special to couple it to a truly good look. Uniqueness can do the trick, and Arisha has it in those wide eyes of hers.

You think she looks good from the front? You should see how she looks from the back.

This warrants another slideshow by itself, honest.

I have hinted at this in the past, but only in passing. That’s because, quite simply, there is not enough time in the world to talk about the magnificence of this booty. Everything, from the curvature to the size – especially relative to the rest of her bod – to the crease that tops off the bottom, is perfect. I make this guarantee: you could scour the rest of the world and not find anything better. Even in the world’s hotspots for this sort of thing. Brazil. The Balkans (trust me, I have extensive experience on that one). Instagram. The Kardashian’s household. If you can find me a better derriere than Arisha’s, do please get in touch. Because either I can prove you wrong…or I’ll salute you to kingdom come.

There’s just one small problem with all this. She doesn’t do gravure any more. Has this diminished her in my eyes? Honestly? Not even slightly.

Fuck it, have another slideshow.

(That last picture shows some chekis that’re currently being offered up on a competition tweet by Bis. What I’d give for that third one, especially…)

She does still do some photo work for Bis, but it’s more fashionable than anything. Boy, do they bring out the best in her, though. They have Nashiko signed up, too… If the day comes where they appear in a shoot together, it’s town.

I suspect the reason I don’t mind her not doing so much gravure anymore is because her backlog is so extensive that I keep finding new things she’s done in the past every day. And knowing what she did in the past enhances her status in the here and now. Mainly because, when I see her appearing ordinarily, I know what lies beneath. And that’s why, eventually, I fell for her like this. Because she’s got something the vast majority of seiyuu keep to themselves: sex appeal. That’s why I can call myself an oshi of hers now.

…Sorry, I might’ve got a little carried away there. What was I talking about again?

Oh yes, a live. On the actual live side of things, opinions have been all over the place. There’s been much comment on how the two fandoms can possibly co-exist in such a space, given the differences in culture and how they treat things like calls, UOs and more. And that’s notwithstanding one side having to listen to the other’s music. Hell, that might even be a problem within their own fanbase, as there’s a reasonable chance some will only be interested in one side of their preferred franchise. I, for one, won’t be recognising any Million Live, Shinymas or even U149 songs (for the entire cast of its successful anime shall be there on day 2, too). As for Love Live, there’s a minimal chance of me recognising most Aqours, Nijigasaki and maybe even some Liella songs. And that isn’t even accounting for Hasunosora, who I haven’t touched on even slightly. Perhaps I should.

Basically, what I’m saying is I’m pretty much screwed. Which is probably why I’m non-plussed about just how good the live really is. And anyway, as I might have mentioned, my top 5 seiyuu are there. So what’s trying to guess what to do with your penlights in the middle of a song anyway.

And there is some debate as to just how the live really will go, depending on who takes the lead. iM@s is known for its quality of lives more than Love Live, but it’s most likely that production will be split half-and-half between them, because…well, it is a battle, after all. Collabs of some description are guaranteed, but quite what they’ll entail is a total stab in the dark. Those who frequent lives feel the whole thing may fall flat. But as someone who cannot frequent lives, I’ll take what I can get. The question is: can I get this in the first place?


If you have thought to look up a real idol at any stage, gravure or otherwise, you may well have found them being spoken about by a certain Nao Kanzaki. In fact, he manages a post a day on various different girls. His motivation is something I would wish upon a star for.

A good majority of the posts, though, are taken up by idols from the big leagues. Your AKBs, your Sakurazakas, your HKTs of this world and so on. I have no interest in these groups, nor do I have any real intention of looking into them. (Pin that for the future so I look like a mug when I do inevitably get into them.) But he does branch out into voice actresses, like Nagi-chan, whose most recent PB got a post – damn good it is too – and solo gravure idols, including those from 01familia. Hell, his post today happened to be on Mio Minato*, and on the whole their presence has been made none too clear than with frequent posts on Nashiko Momotsuki this year. Her most recent cover provoked him into action again after a month’s wait. Can you believe that? We had to go a whole month without Nashiko on the cover of a magazine. How did I survive?

*He chose that post to mention he was taking a day off and had no posts backed up and ready to go. So much for everything I just said in the previous paragraph.

He does all this in a sociable and tasteful manner, as it should be. It’d certainly be more sociable and tasteful than I’d manage if I were trying this on a daily basis. I’d probably end up with a post trying to decide which gravure idol’s got the most perfect tits. Right now, I have several different girls at #1 in that respect. Nashiko, Kisumi Amau, Iori Io, Jun Amaki, Nakane Nanoka (someone who I happened to come across on my Twitter dashboard this week)… There’s probably even more I could think of, but I’m just rattling off who comes to mind. Now, I know they all have different sizes, which is why I don’t think the size itself counts. It’s more about the shape, and how that couples with the actual size. It’s like the golden ratio. If you have it, I’m standing up and taking notice.

Sorry, did I digress a bit there? Well, what did you expect. I did just dedicate an exceptional amount of this post to a single girl’s arse, after all.

Anyway, the point is that this has opened my eyes to the odd idol here and there, but the more common source I have of discovering an idol remains finding them being recommended to me through either my Twitter dashboard or my Kindle suggestions immediately upon buying someone who I know’s PB. This weekend, it was Naomi Majima’s which led me down a rabbit hole into several other PBs of the latest gravy idol I discovered.

This is Sayaka Tomaru, and I actually thought at first that she wasn’t anything special. As is the case with most of the idols I come across these days. And yet…something was drawing her to me. Something intangible. It was her general vibe, really. It felt like the sort of vibe that so many other girls who are right up my street carried too. So I sampled some PBs of hers, and ended up buying a few.

Then it started to dawn on me. The thing with Sayaka is, a lot of her features add up to make her like the greatest hits of many of my favourite girls. Time and again I’d see different pictures of her and see someone different there. You had bits of Meruda Ikeda, bits of Himika Akaneya, bits of Ayano Sumida. I showed her to one group of people and they, like me, saw similar vibes to Nashiko. That’s not the only similarity they share, either.

 

Veiny boobs! Admittedly, this looks to be the exception rather than the norm for Sayaka, as opposed to Nashiko where they are consistently visible. But they’re there all the same.

Most of all though, I got vibes like Arisa Komiya. The supposedly unique looking Arisa Komiya. Serves me right. But it is a vital comparison, because, as we’ve already established, she no longer does gravure. It’s not a skin-deep match up, obviously. Sayaka’s emphasis is at the frontend, while Arisha does her best work at the backend. But there’s no mistaking their wide-eyed faces. That might be the vibe that got me most of all, actually. That, coupled with a sense of maturity – a common theme among many of my favourites. Yes, I know Kisumin is my #1 and she doesn’t match that description, but she can certainly do maturity when asked – a point you’ll notice in her most recent PB announcement.

But there’s one more point to be made on Sayaka and Arisha. Because, astonishingly, their likeness to each other may not be a coincidence.

 

Yes, that’s right. They really have crossed paths before. And there’s Himi as well! I salute whoever was responsible for this movie’s casting.

Crucially, though, there are instances in Sayaka’s PBs where she does distance herself from others enough to carve out her own distinctive appearance. That’s the clincher – that she can indeed just be herself, and not just like others, good though they may be.

So, there you have it. A post (or half of one) where I have successfully shilled for a gravure idol. If you’re reading this, Nao, whaddya think of her?

Oh, never mind. He’s way ahead of me on that one.

The 01 sorter, through my eyes

I’ve only really been able to delve on the collective 01familia talents in passing, reserving the main spotlight for its idol groups. But thanks to my all new sorter for them, I am able to give them all the full picture this time. Obviously, I ran through it in its entirety for myself, and here’s what I found…

NSFW within.

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Oh yeah, I forgot to mention this…

They made another Lipps song, and they gave us a token event for it. For what it’s worth, I had gone on record as saying the only thing that would convince me to touch Starlight Stage in any great capacity again was a second Lipps event. I stayed true to my word, and went to try what I could in terms of ranking on it.

The cards were Kanade and Mika, as it turns out. Who I both consider myself a P of. Had this event cropped up in 2018-19, I would have had a heart attack. As it turned out, it came instead at what I thought was just about the worst time for an event, given my current work situation. It didn’t turn out nearly as bad as expected, though. Bearing in mind that I refused to push my body too hard, I’m happy with what I got in the end. It’s also worth noting how eerily close I was to my Secret Daybreak total, notwithstanding the addition of 8x token usage and raising of the token cap since then.

It was good to get a throwback to the good old days for a week and a half, though. And with this chapter of Deresute closed, now I really don’t have to worry about it again. Well…until Kanade’s next card comes around. My 100% collection of her is still intact. And if there’s anyone I’m keeping it that way for, it’s Kanade. Six years on from finding her, her legacy shall still remain. I will never forget it.

A new guest writer is coming…

I said I was gonna start offering something a little different here. Though when I say ‘I’, what I meant was ‘someone else’. Yes, I’m opening the floor to an entirely different name to be publishing stuff here.

And so, you can expect from this blog posts in the near-future arriving from Kernel de Souza, From this new guest writer, you can expect new content beyond the standard affair from this blog, expanding it to a further scope and perhaps drawing in an all-new audience to go with it. What sort of content are we talking here? Well, you’ll just have to wait and see… You can expect a sneak preview of it soon, and perhaps even a small link to more works elsewhere from our new blogger.

What? A sorter? What’s got into me?!

Just stopping by with an update to share something I’ve not contemplated in several months: a good old sorter. This is one I probably could’ve made some months ago, but then again things have been changing over those months, so perhaps now really was the perfect time. It is, of course, the 01familia talents. Quite apart from being able to sort your favourites, this might be just the incentive you need to get into some of them. As indeed you should. The appeal so many of these girls carry is undeniable. You must be able to fall for at least one of them. Visit https://eonleader.github.io/01familia/ and give it a go now.

Where the hell have you been?

Hello. It’s just gone past my 26th birthday at the time of publishing this. It’s also been close to 5 months since I’ve written anything here. That was an end-of-year blogpost hoping things would be looking up this year. Have they been? So far…no. But that might be about to change soon. Hence me finally coming out of the woodwork to say something here. The reasoning? A whole mixture of work, relationships, and more than my fair share of soul-searching. Now, as I enter the relative peak of my powers (in my head), I’ve decided to stop feeling sorry for myself. It helps that a lot of built up tension has cleared of late and should stay out of the way for a while yet. And now I’m gonna set out and do things I want to, again.

Yes, I know I’ve been to Japan. I know you were expecting me to write something about Japan. I’m sorry. I haven’t written much of anything about Japan. And it was four months ago now so giving the full story, given stuff that’s developed in the meantime, would be too big a time sink now. That said, I do finally have concrete time periods on what should become my next two trips to Japan. One is early-mid September (in which I expect to attend Liella’s next live in Tokyo, plus a race at Fuji and Sugo on top) and then a late Oct-early Nov trip (when Hashtag Night 8 and a Popipa live is happening). So it’s probably a fitting time at least to try and give an abridged version of the whole wonderful charade. Here’s just some of what happened to me on my first trip to the promised land:

  • Saw three Liella lives. The main reason for my being there, the first was at Chiba where I got a pretty front-row seat, in a venue whose arrangement was as flat as a pancake. My views for Sapporo and Osaka, by contrast, were very much upper-tier. Obviously, the first time was a rush. And it was a joy to take in the other times as well, especially Osaka, that being my last full day there and it being the closest-to-full venue. I saw Liyuu cry when they gave her a birthday surprise, and saw Liyuu make the second-gen cry when she dropped a pretty sudden question upon us. Of course, no performance was ever going to be more highly charged than their Saitama one, in which they finally got calls thrust upon them just in time for the end of their tour. The sheer emotion pouring out of the group then was cast-iron proof that keeping the faith in them during the wobbly period between their five and nine-girl phase was justified. They are adorable beyond words. Next time I see them, in Tokyo, they will of course have Yuina, plus A. N. Other, in place, with the promise of sub-units to look forward to. Sadly I’ll be missing the one based around Liyuu and Nagi’s unit, which seems like a grave error on my part, but that’s just the way the timing’s worked out for me. And the venue’s in a solid location, being the one they went to after I left. There’s no doubting my commitment to them now.
  • Had an espresso to finish a meal…at 10pm. That was on the 9th, which was a Monday but also a national holiday in which I spent the afternoon in Yokohama (because Arisha and Liyuu were there, even if I wasn’t going to either of their events). While I knew the significance of the holiday in question – celebrating those reaching adulthood – it took a while for the penny to drop on why so many girls had glowed up and were in kimonos. Yeah, they were the 20-year-olds, as it turned out. Anyway, as I tuned in to Liyuu’s birthday live from a stream – it was mostly talking, which made me somewhat glad I didn’t try to get in myself – I drifted off for a while, which would prove to be the only sleep I would get until about 6am. This was not jetlag; I slept just fine in the wake of the Chiba live. This was me deciding a solid meal after that live should be finished off with an espresso. Not the smartest decision I’ll ever make. The trade-off was that in staying up the entire night, I got dates nailed down for the entire second week of my trip coming out of Osaka, in which I knew where I wanted to go but not when. Not least my longest-haul trip to Nagano, which took up a complete Tuesday but which proved to be as big a highlight as I’d hoped. I’m still waiting for the prayer I made in the temple I visited there to come true, mind.
  • Found myself looking at my phone’s home screen in person. The place was Shinjuku, which went down as my favourite place of the lot. Fight me. It was already a ball of fun to take in during the day, but heading back in the night was something special. And as I found myself looking directly at the same Hotel Gracery most prominent in my then-home-screen, with all the same buildings around, that was the moment at which I said to myself, “Yes! I’ve made it!” As a first-time trip there was always going to be a large degree of sightseeing. That was my favourite sight to see. I don’t care how cliched it may be to say it – Shinjuku is the real deal. Your Ginzas, your Akibas, your Shibuyas and your Roppongis of this world may be nice, but Shinjuku didn’t disappoint one bit. Maybe it being my last day in Tokyo gave it more prominence, but I doubt it would have been any less immense either way.
  • Came closer than I’d like to not getting back to my hotel in Sapporo. Having gotten to Haneda too early for it to be open for my early flight to Sapporo on Friday the 13th, I then nearly proceed to get back to New Chitose too late to get to the in-airport hotel in which I’d booked myself into (on account of the flight I was catching to Fukuoka the very next day). Somehow this didn’t dawn on me until not long before the Liella live began at all, which made it all the more nervy when they slightly overran their finish time. Given that I needed food as well before heading back, it was touch and go, to the point where I was having to get limited expresses. And there was an extra moment of tension when the very line I was travelling down suffered disruption, courtesy of a train hitting a deer. Mercifully it only affected the opposite direction to where I was headed, meaning I made it back in to the soon-closing airport before I could get kept out of the accomodation I had very specifically booked to give me an optimum connection the next day. So sorry Corey, Honk, Boosta and the rest who were there too, that’s why you didn’t see me afterwards. But that’s what happens when you have another set of idol groups to worry about.
  • Ran into a much bigger live than the one I was attending in Fukuoka. Touching down in the south-west, I was met with an odd sight: a considerable amount of late-teen/early-twenties girls around the airport. This made faffing around the place hectic, especially when the 7-Eleven I wanted to visit to pick up my Liella Osaka ticket was on the entirely opposite side of arrivals. The metro felt inexplicably rammed, even for a weekend when people could conceivably be travelling. Then the train got to Hakata and it became full to the brim. Not a great place to be when you have a full-fat suitcase with you. I was drowning in girls, but not in a good way. As I scrambled out at Tenjin to get to my hotel, not long before I got there the penny dropped: there must be something going on at the city’s considerable dome. The check-in desk at the hotel confirmed my suspicions. Quite apart from its own general busy-ness, a leaflet on the desk detailed what was going on: I had chosen to drop in at the same time as a huge concert from Hey! Say! JUMP. That all but explained the audience for the most arduous section of the trip so far. Not that they were any of my concern once I got to Hashtag Night. It was a rush to watch the live music from the three groups, and I did plenty of staring at Kisumi and Meruda throughout. But I hadn’t prepped for talks with them, so I backed out before those. That would come the next day.
  • Got the biggest stroke of luck you’ll ever see from an idol-concert-goer. Arriving at Kumamoto and making my way to Bambi’s live, I didn’t make all that much of the rather loudly-dressed, black-and-yellow-jacketed bloke opposite me, on the tram into the city centre. This was an intimate little venue I was off to, after all, so I didn’t fancy my chances of seeing someone also heading their way. Beforehand I’d been faffing about how the hell I was going to speak to my oshis within the group. Kisumin was of course the main concern, but Meruda would be good practice to start with: minimal queue, affable sort, also a hafuu. So I took in the live, then started sweating on how to actually get in place the tickets I needed for some 2 shots with Meruda. Predictably, I fucked up. It took me long enough to work out where her queue was to start with, though there was a guy who seemed to realise the spot I was in and seemed keen to assure me. When I never got any wind of where the tickets for my shots with the idol came, my assumption became that I bought them right before talking to her. Big mistake. But when it turned out I didn’t actually have what I needed, the aforementioned guy behind gave me two of his, and who should it be but…the very same guy, in his black-and-yellow-jacket, who was opposite me on the tram. I got my 30 seconds with Meruda, which went as fine as they possibly could in that moment, but after that I had to set out and find the guy who had saved my bacon. We could just about cross each-other’s own language barriers, so I thanked him profusely and then tried to ask him how I could go about doing it properly for 2i2. As it turned out, he had a clutch of tickets to use for his own oshi, who was…Kisumi Amau. Had this man been sent from another dimension? To back me up in a situation where I was alone, and otherwise on my own? I didn’t dwell on it. I showed him my money for 3 tickets of my own, and set off to get some lunch in the break between the lives, wondering what the hell just happened. I’d gone to an idol live by my lonesome and got away with it in the most unimaginable way. So I went into the 2i2 live fully fired up, certainly helped by having a ticket that got me into the second row (in a standing-only venue), which put me right next to one of the speakers but also got me as close to Kisumin as I could have imagined. Until the talk, of course. Sliding myself right into the middle of her considerable queue, I came across not just my new best mate, whose English had markedly improved in the previous couple of hours (because, by his admission, he’d had a few drinks in the time between) but even another guy who very casually asked after me about the English TL account for Kisumi’s tweets. Needless to say, 01 fans are incredibly friendly souls. And I’d only met so many of them, given the small scale of the Kumamoto venue. Kisumin herself was exactly as you’d expect. She read me like a book, asked if I got into her for the oppai, and promptly called me a pervert. In her own wonderful fashion, of course. I duly called her ‘yabai’ as I liaised with my guy afterwards, which got chuckles of agreement from much of the rest of the line. And with that, it was over. Under the circumstances, my first full-on idol live could not have gone any better. Everything worked out in the end, and I should have more friends alongside me for my next scheduled visit – and possibly even a visit I make before then. It’s not out of the question I see them midweek during my September trip, after all. But if you’re that yellow-jacketed guy who got me out of a hole, and you’re reading this, I can’t thank you enough. And I’d better meet you again. Possibly to have a drink.
  • Had my first idol 2-shot…with an idol who’s graduating imminently. This is the rather depressing little coda to all of this. Meruda will forever go down as the first idol I took pics with…but she won’t be with Bambi for much longer. She’s graduating, as of this post going up, tomorrow. It’s a terrible shame it’s gone this way for her. She had been trying all she could do get herself the kind of lines her fellow groupmates commanded, but it didn’t happen. It’s also worth noting she’s the first idol I properly noticed to ultimately lead me to this spot in the first place. For that reason, I sincerely hope this isn’t the last I ever see of her. Going with her is also Akane Yoshizawa, who if anything might have been my second favourite member of Bambi. Her reasons for graduating are more acutely health-related, though. So I’m looking for a new #2 (among the singing idols; 01’s standard talents are a different kettle of fish, and possibly for another time), and a new Bambi oshi. With the dawn of their fourth group, Mooove, I’ve found the former. Komari Nakamoto took up the mantle as soon as I realised she had one of the greatest smiles anyone will ever have. So I’ll probably be talking to her at some stage, then. I’m not sure about the new favourite from Bambi, though. They are getting new members to replace the outgoing ones, but right now…I fancy Mio Minato. She’s got her hair just right at the moment.
  • Found the hardest station to navigate in the country. The secret transport geek within me was always going to be very keen to see just what lay in store in some of the most infamous stations around. Shinjuku was the most obvious candidate, in all its ~200 exit glory. And you know what…it barely phased me at all. It felt like a cinch. Nowhere in Tokyo felt too daunting, in fact. The first station that really caught me out ended up being Sapporo, in fact. The walk between the JR and metro is monstrous, with an entire complex in-between. It was this that nearly caught me out in the middle of that scramble back to the airport, losing myself in the grid that makes up the mall between the two. So that wasn’t pleasant. But it was nothing compared to what awaited me in Osaka. Messing around on my first day, trying to find somewhere for dinner, I made the mistake of trying to look for somewhere in Umeda…while getting out at Higashi-Umeda…in the late-midst of the rush hour. That was the first time my bearings well and truly went to hell in a handcart. And getting out was no easier, as I found myself running through an entire damn shopping mall, just to find an entirely different station within the hot mess of subways within there. When I mentioned this to a group, they quite humorously agreed with me that they too had never managed to end up where they wanted to in Umeda. So that was reassuring, at least. I would traipse through the nonsense more times, but ironically the connection that I used most was by far the friendliest. From Kita-Shinchi through to the JR Osaka station, it is pretty much as dead straight as it gets. It’s a bit of a trek, but that is far, far more preferable to having to navigate your way through a maze to get to another station. The only other time I had to use something different was on the day I left, and I’ll get to that.
  • Found three genuinely top-notch food places. Two of them were soba spots, one sitting quite casually in Nagano station, but who did a quality prawn dish. The other was halfway between my hotel and Umeda. Guess where I was heading to it from…during the rush hour, again. No wonder I was about 7 minutes later than I thought I’d be. But it was simple, yet effective and delicious soba there. The real deal. The last one was a teppanyaki bistro on Friday in Osaka, who welcomed me more receptively than anywhere else. Even the couple next to me engaged me in conversation, where I outlined my trip to them to that point. Highlight there was finishing up with a frankly magnificent okonomiyaki, Osaka style. And they even went and left me with a picture of my visit there. It’s the little touches like that which matter. Osaka is very much its own entity compared to what had come before, and while it took a while to warm to it, when I did I embraced it.
  • Accidentally went into an attraction at USJ without really meaning to. The Saturday of the Liella live started with me going to the early buppan, a nice benefit of staying within walking distance of Osaka Castle. After getting my shirt and blade not long before they ran out, I had the rather audacious idea of making a short trip to USJ before the live – on a Saturday, no less. Though short notice, I pulled it off without a real hitch, notwithstanding that I obviously wasn’t going to get into something like the ticketed Super Nintendo World. The Mario merch was enough, but with the lunch spot I had in mind working off a queuing system I had time to kill. I spotted the Water World attraction, but didn’t fully clock that as I was walking into it that it came in the form of a live show. And not long after I went in, it started. So, I guess I did that without really meaning to. It was quite a dramatic show, to be fair, only slightly affected by my table becoming available barely minutes before it started and me having to wonder for the remainder of the show if I’d be able to make it back in time. I did, luckily. As it turned out, the next show wasn’t due for another hour and a half there, so I lucked in on my timing there. But after grabbing my Mario merch, plus a strawberry shortcake on top, there wasn’t much time for anything else there. Still, the vibes were good. As expected at a theme park as highly-rated as USJ.
  • Ended up £1,600 out of pocket thanks to a recurring nightmare of mine. After the Liella live in Osaka, and a meal with those who were there, I had to make my way back to my hotel not long after. I did have a Shinkansen to catch back to Tokyo to start making my way back home, after all. When I left for my hotel, my flight back into Europe (though not London) was scheduled to be an hour late. But for my connecting flight, that would be fine. It wouldn’t stay that way for long. Not long after getting back to my hotel, packing my bag and settling down for just a little bit before prepping for the long trip back, it was proudly announced that my flight back would be 11 hours late. Realising the gravity of the situation, Lufthansa decided to move me to a connecting flight arriving at London by 8am on Monday…which was an hour after I needed to be back at work. Cue me staying up until 3am discussing what the hell to do, finding an alternative, speculating that they wouldn’t be able to rebook me on it, and knowing that if I didn’t catch the (direct) flight I found, I was screwed. So I put my money where my issue was and forked out £1,600 to make sure I had a seat on it. All this while trying to get on the phone to ANA – who the booking was with – without success, wondering what on earth would be the situation with any kind of refund. In the end, I decided the best course of action was to get to Haneda and ask there. And then it was 40 minutes after I’d initially wanted to wake up and I had a slim chance of catching the Hikari I’d reserved to get me to Shinagawa. After the fastest shower in history, Google Maps claimed it was possible to get to Shin-Osaka in time…except it wanted me to go to Higashi-Umeda, and make the 7 minute walk to JR Osaka, to catch a train that left…5 minutes after I arrived there. I ran like hell through the complex to try and get there – with a loaded and huge suitcase, no less – just in time to see the train Maps suggested leaving. So I missed my Shinkansen. Not that it mattered massively at this point, given I was flying on a plane leaving later than the one I had booked was meant to leave. I just wanted as much time as I could get at Haneda to talk to ANA or Lufthansa. As it turned out, when I did get there the two decided to try and bounce me between each other. Nice. Lufthansa’s plight was a bit more understandable, given that all the passengers actually flying with them were sitting at the check-in desk, presumably wondering what the hell they’d do for the next 11 hours. In the event, they did have a helpful soul who informed she could indeed rebook me onto the BA flight I needed to catch. Great, but my £1,600 spend had now been for nothing. Explaining the situation to BA at the opposite end of Haneda, they fixed things up and suggested I might be able to get that £1,600 refunded. As you can probably guess, it has not come through. I suspect the fact it was on a debit card might have screwed me over there. But the fact I had to fumble around for a suitable location to send in all the details of what had gone on didn’t help either way. At the time, I didn’t really care though. Because in the end, after 26(!) hours on the go, from the hotel in Osaka to my home in London, working off 2.5 hours of sleep (plus whatever I managed on the plane, which wasn’t much), I ended up back where I needed to be. And it was all Lufthansa’s fault. This is not my first rodeo with German transport. I came within a minute of being stuck in Cologne once after my train ended up 30 minutes late, when I had a 32 minute connection time. Then my trip last summer in Germany saw just about every single one of the ICEs I used running late, again to the point of making connections incredibly tight, or stopped short of the destination I actually needed to get them to. And then this whole debacle with Lufthansa. To think the Germans are known for reliability… My arse. Needless to say, Lufthansa have had multiple major misfortunes since then, and I have laughed uproariously at all of them. I shall not be troubling their services ever again.

So yeah, that’s the major stuff covered. Again, it’s now all about my two trips in the autumn for my next dose of all that’s good about seiyuu and idols…including, perhaps, finally actually seeing the one who started it all. It will have been four years in the making, if I do see Hasshi in November.

But that’s a way off, for now. In the here and now, there will be more coming to this blog. And it’s stuff this blog won’t have seen before… I’m going to try and take this in a new little direction, a more general and broad-reaching one. There might even be a little surprise in store coming out of this blog soon… You’ll see what I mean when it happens, I guess. You can look forward to that, in the meantime. You shouldn’t have too long to wait, hopefully… Not if my current mood, my current goals and my current mindset have anything to do with it, anyway.